India may have scored its first huge post-pandemic hit, but the country’s box office has not yet fully recovered and China is still struggling with…
Welcome to Streamlined, a weekly newsletter that will summarise and analyse events in the content industries outside the Americas & Europe. For now…
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A few friends will know that I left Cannes film festival early because my father, who had a long illness, reached the end of that journey and I went to…
After six weeks on the road, I’ve heard a lot, watched a lot, learned a lot, and just had to buy a new MacBook Air after my old one decided to die of…
Let’s face it – even with Avatar: The Way Of Water bringing some much needed year-end box office cheer, 2022 has been a bit of a depressing year. The…
Chinese cinema is conspicuous by its absence at this year’s Cannes film festival, with only a few short films announced across the official selection…
Another busy week with Netflix’s shock news of declining subs, more Cannes announcements, the Warner Bros Discovery international restructure and…
And what was normal anyway? These were some of the big questions being debated at Focus Asia, the industry platform of Far East Film Festival (FEFF…
Two seemingly unrelated stories I reported on for Deadline this week reflect the worrying direction of travel in post-pandemic India. On Monday evening…
Welcome to Streamlined, a weekly newsletter that will summarise and analyse events in the content industries outside of the Americas & Europe. Every few…
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I’m not sure why I thought that compiling a list of upcoming projects from Southeast Asia, and looking at recent tweaks to the region’s funding…
Another box office themed newsletter this week. As in Europe and North America, summer box office revenues in East Asia’s biggest markets – China, Japan…
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